At one time I really wanted to write like this--sparse, economical, and evocative, chilling in its ability to communicate what is just below the surface without actually saying it. In the critical introduction to my senior thesis (hilarious that such a thing exists) I named Carver as one of my primary influences, along with Mary Gaitskill, Amy Hempel, and James Salter (I had to dig it out of a filing cabinet to confirm this; I also praised Carver for the lyrical effect of his dialogue). Nowadays I'm more of a surrealist crime fiction kind of a girl, so it just goes to show you how much your tastes continue to change.
I see that all of his books have been repackaged. I'm not that big of a fan--it's just different photos taken at dusk of houses with the lights on, and I'm also not too crazy about the font--but it's a definite step up from this. Although I do love how the text gradually gets smaller on the older version, which was not kept in the new cover.